Sunday, December 24, 2023

A Christmas Poem; or, Justification for Murder

’Twas the night before Christmas, and in the North Pole,

Just one creature was stirring, with eyes dark as coal.

She was dressed all in crimson, the renowned Mrs. Claus,

Too aware that St. Nick was away in the stars.

The white candles were dimmed and the music was low

While she listened for footsteps and knocks in the snow.

Then the sound came at last: a faint tap in the night;

She responded by shrieking erotic delight.

Away to the window she ran like a flash,

Tore open the shutters and threw up the sash.

Then what to her wondering eyes did appear

But an elf all in green with a lustful moist leer.

“Mrs. Claus,” he began, eyes upon her white breast,

“You’re a sight for sore eyes—now please show me the rest.”

At one end of the world, the adulteress agreed;

At the other, her husband gave gifts and helped need:

For this lively and quick saint seemed kindly and true—

But to think him a fool?  Oh, if only she knew.

For he guessed and he at grieved his wife’s greatest sin

And he hoped she’d refuse to allow that elf in.

But the proof, when it came, no one could deny,

And it meant just one thing: that the vixen must die.

Back to the Pole flew St. Nick in a bound

To catch both of them while the elf was around.

With some duct tape in hand, and armed to the teeth,

Nick was dressed all in plastic, his head to his feet.

A short minute of work, and he had them both tied—

Not long after they begged him—“Please, mercy!” they cried.

They had done it, they owned, but it was Christmas morn—

Shouldn’t Santa forgive, on the day Christ was born?

St. Nicholas would: this, the saint would allow;

But Old Nick? He was entirely different now.

With a grin full of needles and hands full of knives,

Bloody Nick cut their loins and he bled out their lives.

When the deed was complete, Santa cleaned up the place

Once again with a gentle and innocent face.

He disposed of the plastic a country away

And was back to the Pole by the break of the day.

As he entered, the elves told him, to his great grief,

That his wife had been murdered by a mysterious thief.

Yes, from that day to this, that’s the story that’s told,

And if anyone knows different, they are never so bold

As to call out Old Nick—for if any did try,

Then for certain would they be the next ones to die.

 


 (A little backstory.  At my work, in the weeks leading up to Christmas, an elf doll is brought out.  Every evening, whoever closes gets to position the elf as they choose.  Naturally, the elf dies a variety of humorously awful deaths in addition to its other hijinks.  The other day, such death was clearly linked to Santa.  But why? people wondered.  Santa is lovely!  Surely everything will be nice the next day!  And so I wrote why.  I was given no other prompt, but told I ought to use the words "moist" and "loins."  So here we are.

And in case anyone is wondering: I love Christmas and am actually fairly full of Christmas spirit this year.  Which is honestly probably how this poem happened.  Please see the original for actual Christmas fun, and note that a couple of lines come directly from it.)

Wednesday, November 15, 2023

Forgotten Place

This is apparently a dream I had on 11/27/2007.  After waking, I immediately wrote it down.  I have included the entirety here, without changes.



Once a terror to the civilized world, determined to reap in power from all corners for her own pleasure and unkind purposes, Ursula Shal'ingra now stood alone -- or, rather, staggered on her feet, barely able to stay upright.  She didn't have more than a minute or two to live, and she knew it -- and, just as importantly, he knew it, the one who stood just across from her, not with her, but watching, to make sure she was wholly defeated and died as she should.

He didn't particularly want her to die; he had just wanted her to stop, and there was something of pity in his eyes, now that the fire of fury had faded.  But he didn't come forward to save her; she hadn't expected him to, not after what she had done.  Even if he had offered, Ursula would never have accepted, not knowing the alternative.

And not knowing what she knew about last possibilities, a last ability that even he knew nothing about.

She smiled.

"What are you thinking?" he asked.

"I am thinking," she replied, her smile growing, "that I know something you don't know.  And that in this, not even you can stop me."

"What are you doing?" he was alarmed now, and started forward -- as if that would help him!  "Listen to me, Ursula, please -- you're done here!  Just let it end!"

"What do you think I'm going to do?  Blow up the world as a last stand?  Unleash a plague the likes of with these pathetic people have never seen?  How would I do that?"

"Tell me what you're doing!"

The smile broke into a laugh as a rush of emotion surged through Ursula, even as tears streamed down her face.  She could feel everything fading, moving away.  But he had defeated her, so she would give him one last hint: "Look for me in the Forgotten Place," she gasped in between laughs and then crumpled, the last of her breath leaving her, and was dead.

The lone man stood and looked down at the corpse, no more powerful or beautiful or memorable than any other corpse, then leaned down and closed the eyes.  "What did you do?" he whispered to it, and then turned and strode swiftly out of the hall, his heels clicking delicately on the marble floor and echoing hollowly about the facades and pillars along the wall.  He did not look back, and when he left, there was no sound in the hall for a long time.

There was a mysterious fire in the palace that night, and the ancient structure burned until it was nothing more than a husk.  No one had bothered to put out the fire until it began to threaten to spread.  As the people living near said, they didn't know who had started the fire, but it was a good job, and the site would be perfect for a new cemetery, because none but the dead would go there.

-- -- -- -- -- --

Time passed, as it does, oblivious to the pain and joy it causes, and some of the wounds that Ursula had scored were healed and faded with hardly a scar, and other emergencies rose and fell and rose again, and life went on, and what had happened was merely History.

But one man did not forget, and even as he traveled from one place to another to help and heal and save, he kept his eyes open and searched and listened and made careful inquiries about something known as the Forgotten Place.  And eventually, as Ursula had known he would, he found it.

While not the most unlikely of places, the town of Mossag was not exactly exciting.  It was home to about a thousand people and crouched humbly next to the sea, often cold and windy but always with the lonely sort of stark beauty which can be so frequently found in such places.  The people of the town were of two sorts: those who kept the town going -- the merchants and fishermen and shopkeepers, a hard-working, steady bunch with no imagination and no romantic notions; the other sorts were precisely the opposite -- poets and writers and historians and musicians who came to the out-of-the-way Mossag for peace and inspiration as they toiled.  No one came to this place for vacation or built houses along the sea for pleasure -- or if they did, they abandoned those houses within a few days and never ventured back.  This was not a place for leisure or careless pleasures or parties.

He walked along the beach, the wind and waves so loud against his ears that any lesser sounds emanating from the sounds were blanked out as thoroughly as if they had never existed at all.  There was no else on the beach, and therefore no one to see him take a slender vial of clear liquid out of his pocket as he reached the edge of the water.  Not bothering to shed even his boots or the heavy coat which protected him from the wind, the man walked out into the waves, carefully bracing himself so that he was not knocked over, and swam out until his feet no longer touched the sand and he bobbed helplessly in the waves, his head barely above water, and completely numb from cold.  It was a wonder that he hadn't already been pulled until and drowned; he must have been amazingly strong swimmer.  Still, even he couldn't possibly last much longer.

Carefully holding the vial above water, the man uncorked it and swallowed the contents in one gulp before careful replacing the vial in his coat pocket and letting the waves push him down.

Under the water, the waves were much less violent, and the spray didn't hurt his eyes when he opened them to look around.  There wasn't much to see as yet; sand, some small, distant creatures, shells.  Glancing all about him to make sure he was alone, he carefully inhaled, slowly, filling his lungs with oxygen even as his nose sucked in water.  A very strange feeling, he decided, but not an entirely bad one.  As long as he breathed long and slow breaths, and didn't descend into greater pressure too quickly, he should be fine.

Slowly circling down – and sorting out his twisted coat as he went – he continued to concentrate on his breathing.  The vial’s liquid had not been to allow him to breathe but to warm him, and it would only last a few hours, and was so strong that if he had been anything but freezing when he had taken it, he would have ended up as so much burnt roast.  The breathing underwater . . . that was just a knack.  Anyone could do that, so long as he knew how.

He swam steadily away from shore and down until he had reached the sand again, still curiously devoid of life although the water around him held the occasional fish, little more dared venture in these parts.  And he was here to find out why.

It had been just a hint, the story which had lead him here.  The native people weren't ones for telling stories, but their fishermen had fallen upon hard times these last two decades, as if the fish were afraid to come in these parts.  Conversely, sharks were uncommonly common and it was dangerous for anyone to enter the water within two miles of the town.  People had disappeared, children and adults alike, and very, very few had made it back.  Daniel Magram's boy had returned, had been rescued by his uncle.  But the uncle had drowned, and the boy . . . well, there was always a boy like that, wherever you went.  Thirty years old, and he hadn't spoken a word for fourteen years.  And Lisa Hawkin had come back, only to run away at sixteen and marry a traveling salesman and never return.  Things happened.

He recognized the touch.

He didn't know exactly what he was looking for, only that it would be obvious when he found it, as such things so often are.

It was getting darker now, as the day moved into late afternoon and he swam deeper into the sea, but even so, the black rectangle caught and held his eye and he moved swiftly towards it, still breathing in the careful, steady way that allowed him to stay alive down here.  It wasn't long before he had drawn level with the spot and could see it clearly.  It was very odd indeed: in the sand a black triangle fifteen inches by twenty.  It was a hole -- or not solid -- but the hole seemed to lead to nothing; it was a rectangle of nothing.

Or, more likely, it just looked like one.  He reached back in his coat and pulled out the vial which he floated gently in the direction of the hole so that it slowly sunk through.

Nothing happened for several minutes and then the vial was pushed back up through with a note attached to it on peculiar, brown paper.  Come in, the note said.  You will not be harmed.  I have been waiting. -- U.S'i

Come in.  Well, he remembered Ursula, didn't he?  A note was a contract and could not be broken, but that didn't mean that it didn't have a trick behind it.  And much as he didn't like the idea of his legs sticking out for any shark to come by and snack on, it was better than leaving his luck to Ursula.  Lying on the sand -- or floating as close as he could to it -- he touched the black rectangle with two fingers and the reached through and gripped the rock behind to steady himself as he pulled his head and shoulders down into the hole.  This is what he saw:

The blackness was no thicker than light and gave way to a greyish cavern about twenty feet deep which spread out as it went so, although the top was no bigger than the rectangle, the base diameter was about ten feet.  Creatures lined the sides, far too large to fit in the tiny spaces they inhabited, although they did so without apparent difficulty, and some seemed to have even become part of the rock as the years passed – far more, apparently, than had passed elsewhere.  But with Ursula, that wasn’t really surprising, nor were the strange mutations which almost all the creatures seemed to have suffered; very few now bore any resemblance to their original state, human or non.  There were two exceptions to this: one was Ursula herself, the other a girl of eleven or twelve dressed in attire that hadn’t been in fashion for more than a century, even in such a put-away place as Mossag who looked up at him with wide, curious eyes.

“Hello, Ursula,” the man said; “you’re looking transparent today.”  And she was.  A shadow – ah, ha – of her former self, Ursula sat wraithlike on a twisted stone creation at the very base of the cavern, so stubbornly rooted to it that it was doubtful she could leave it.

“Pleased to see me again?”

“Enlightened.  I had so wondered what you meant by your last words.  Very mysterious, I must say.  ‘Forgotten Place.’  Clever.”

“I told you that you couldn’t stop me.  Look at you – you don’t even dare enter my domain!”

“No, I don’t.  Putting myself in your power, being forever trapped here, no doubt – not my idea of fun.”

Ursula laughed.  “As I said, clever.  You always were clever.  You know the laws of this place, then?”

He shook his head: “No.  Would you care to tell me?”

Ursula considered this carefully for a moment.  “I will tell you the answer to your question in return.”

“For?”

“I don’t suppose you would accept total submission and slavery to me?  No?  Very well.  Tell me about the sunlight above, then.”

He stared at her for a moment, and narrowed his eyes, thinking.  “You must have been down here a very long time.”  He watched her reaction carefully.  “Very well, I accept your bargain.  This is what I tell you about the sunlight above: the day is a cold, crisp one with clouds obscuring much of the sky, but even the shadows have some warmth and when one finds a spot where they break and turns one’s face to the sky, a tingling warm flush hits one’s face and a freshness touches the nose with a pure warmth.  Bright light strikes the eyes, whitish yellow light filtered through many levels of cloud and air and atmosphere, but it too burns where it hits, a clean, almost pleasant burning.  The light is never just light but heals and greets and is beautiful and of a kind unlike another.  It is uplifting and cheerful and washes away pains, if only one lets it, and is thing foreign to anything of this world – for it is not of this world, but travels far to get here.  This is the sun today and the sunlight above us now.”

A curious change had flowed over Ursula as he spoke, an almost tangible wistfulness which cooled the water and tingled the arms and for a moment, it almost looked like sunlight struck her upturned face.  The effect faded with his words, but not quite all of the peace left Ursula’s face.  She nodded at him.

“Yes,” she said; “that is what it is like.  And now I will fulfill my part.  Here are the rules: none who come in may leave unassisted.  Another may pull they out from the outside so long as they themselves do not enter fully, but only within twenty-four hours.  After twenty-four hours here, none may leave without my permission as per the balance of power.”

“And you?”

“I do not leave.”

“And she?” he looked directly at the little girl crouched by Ursula’s side.

“This?  This is Jane.  Do you like her?  You can’t have her; she’s been here with me far too long.  Say hello, Jane.”

“Hello, sir.”

“Hello, Jane.  Do you like it down here?”

Jane turned her gaze downward but did not speak again.

“Don’t even try it,” Ursula warned.  “She’s mine and you know it.  This is my domain – my demesne – and my rules.  She is mine.  You see?  You cannot kill me after all.  You dare not even enter.”

“Yes,” he agreed.  “You’re right.  I can’t touch you, not in here.  But I’ll remember.”

“I’m sure you will.”  Ursula laughed at him and continued laughing even when he had withdrawn entirely from the cavern and swum away.  “I’ve won.”

But she hadn’t, not really; it was only a matter of time.

-- -- -- -- -- --

The next time the man visited Mossag was nearly two years later, and the town was an uproar of fear and worry and hopelessness.  When he inquired why, the answer was simple: a girl had gone missing, one Sally Lee.  She was six years old and had last been seen fifteen hours ago, but had a nasty tendency of homing in on the sea.  And worse, she had been seen to develop the early stages of under-water breathing and might decide to try it out. . . .

He had more than a nasty suspicion; he had a nasty almost-certainty.  “Fifteen hours?  Are you sure?”

“Of course I’m sure!  Do you think anybody doesn’t know the story by now?”

He shrugged.  “I just asked because I think I might be able to get her back.”  At the man’s dubious look: “No promises.  But I, too, have a certain talent for breathing underwater and believe I know where Sally went.  But I need a few things if I am to bring her back – and quickly; there isn’t much time.” The other looked him over suspiciously for a moment, then nodded.  “I’ll take you to the Lees and they can decide.  Come along, then.”

He was lead to the Lee cottage and left there to deal with the family alone, but he didn’t really mind.  He had far too much practice with this sort of thing and knew how to go about it – and a child’s safety was far more important than his personal discomfort.  He knocked without hesitating and smiled at the dumpy blond woman whose otherwise pleasant face was strained into worry lines.  “Good morning,” he greeted her.  “I think I might be able to find your daughter, and soon – but there are a couple of things I need first, to bring her back safely.  May I come in?”

Forty-five long minutes later, several hundred townsfolk were crowded on the narrow beach, shivering together against the wind, to watch the crazy man walk into the sea in the middle of winter with only two vials of clear liquid to protect him.  The man ignored them, except to politely refuse any offers to hold his coat, and waded into the sea, just as he had done two years previously.  He had also refused any offers of help, especially in the form of alcohol, claiming that it only gave the illusion of warming one while it did the opposite.  No one had really believed him, but he had been steady.

Now the townsfolk watched, but not for very long.  The stranger was as good as dead, walking into the sea like that.  Brave, though.  He would be toasted later in the local pub and no doubt talked about in fireside stories for a month or two. . . .

Unless he came back, of course.  With the Lee girl.  But that was hardly likely, even for mysterious travelers, and he hadn’t looked like a wizard.

Meanwhile, the man was swimming to where he remembered the black rectangle of nothing to be.  The water currents pushed him off course a bit, but even so, he found the place with minimum of fuss.  He hesitated only a moment – would Ursula know he was here? – before pushing his head down into the cavern.

There was no time for caution; quite the opposite, when Ursula had the balance of power in her own demesne.  Almost before she had turned her head up to see who had disturbed the water, he had reached down and grabbed the arm of a young girl with her mother’s golden curls, and pulled her out into the freezing ocean.

“Sally,” he said in a calming tone, holding her struggling – just as she had been taught to do, if ever a strange man grabbed her.  “Sally Lee, listen to me!  You need to drink this, all right?  Or else you’ll freeze to death.  And keep breathing, slowly.  You know how, Sally.

Sally opened her mouth to answer and he took the opportunity to uncork the vial and, his finger keeping the contents inside when in the open water, shove it in her mouth and force her to swallow.  When he took his hand away, Sally opened her mouth again, this time to scream, but before she had even started, she blinked and the open mouth expression turned into one of surprise.  “I’m warm,” she said – or as close she could, underwater.  It had quite a few more “glugs” in it, but wasn’t incomprehensible.  It was a knack.

“Yes.  Now, why don’t we swim back to see your parents?  They’re very worried about you, Sally.”

“All right,” Sally agreed, although she ended up clinging to him far more than swimming on her own, and was falling asleep in his arms by the time they reached the beach.

Little more than twenty minutes had passed when they arrived, and at least half the townsfolk were still there – gaping in amazement, save for the thankful parents who rushed up to him gushing their gratitude.

“Take good care of her,” he told them.  “Your daughter has a great deal of talent, and should be trained.”

Trained?  But by whom?

“I’ll speak to you more later, but I have some unfinished business – the reason why I came back to Mossag in the first place.  Please excuse me.”  And, to the shock of all present, he turned and walked back into the sea and disappeared beneath the waves.

“I should have known,” Ursula snarled, crossing her withered arms.  “Why is it always you?  Don’t you have anything better to do than come down and bother me?  I’m not doing much harm here – don’t you have bigger fish to fry?”

“Yes,” he answered honestly.  “That’s why I came back.  I need to borrow Jane.”

Ursula stared at him incredulously.  “You think I’m going to do you a favor after you steal my property?  I’ve thought you many things, but never a fool.”

“She wasn’t yours; by your own rules you had no claim on her for another eight hours.  In any case, it’s not a favor I’m asking you for.  My quest benefits you as much as it does me.”

“Oh?”

“Do you remember Ossic Ringe?”

“So?”

“So he’s back, and looking for revenge – against you as much as me.”

Ursula frowned and then, in a habit of days long passed, flipped her hair and shook her head.  “I’m not helping.”

“But he hates you!”

“Lots of people hate me.  Sometimes I’ve even thought you did.  But he can’t touch me in here, and I have no plans to leave.  In any case, I quite fancy the idea of him killing you.  Poetic justice, you might say.”

“Ossic’s work isn’t exactly what I would call poetry.”

Ursula shrugged.  “It was creative, though, you have to admit that.  Very clever.”

“If you like that sort of thing.”

Ursula grinned at him – or at least, showed her teeth.  “Well, I’m not helping you.  And you can’t have Jane.”

“I just want to borrow her.  What do you think, Jane?” he turned to the girl, who now must have been about fourteen years old, and looked surprisingly healthy.  “A little break, get to see some of the world?”

“She can’t go without my permission, and I’m not giving it.”

“It does sound interesting,” Jane said hesitantly, “but there would have to be a time limit, wouldn’t there?  And an equal trade?”

“I see you’ve been training her,” the man told Ursula wryly, looking Jane over thoughtfully.  “An equal trade?  What do you think, Ursula?  What is worth three weeks deprived of Jane worth to you?”

“Come down here, and I’ll whisper it to you.”

“Very funny.”  He snorted.  “It would be valuable to her education,” he offered.  “Another point of view, if you will.”

“You fool – you can’t mean that you would teach her during that time?  Teach her the kind of things I want her to know?”

“The kind of thing that would be useful.”

“Propaganda?”

“Haven’t you conditioned her against that kind of thing, yet?”

Ursula beckoned Jane close and spoke softly to her for several minutes before turning and looking up at him.  “Do you agree to return her within fifteen days?”

“Fifteen!  Not twenty-one?”

“I prefer fifteen.  Do you agree?”

He barely hesitated: “I agree.”  The binding of the agreement settled about his temples loosely but weightily and he saw Ursula flinch slightly under the same.  “Well,” he said when the agreement was in line, “not to stay and chat.  Come along, Jane.  You won’t need anything.”

“I don’t have anything,” she informed him tartly, and swam up far enough that he could grasp her hand and pull her up.

“Keep her safe and remember – fifteen days,” Ursula reminded him one last time.  He nodded and disappeared back outside, Jane following closely.

It was close, but fifteen days later, Jane arrived back at the Forgotten Place.  She looked dubiously at it and then back at her companion.  “I don’t want to go in,” she told him.

“I must honor the agreement; you know that.”

She nodded.  “Yes, I do know.  But I don’t like it.  Couldn’t you just pull me out again after I go in?”

“You have been there more than twenty-four hours.  There’s nothing I can do . . .” he trailed off thoughtfully.  “Although . . . no.  Go back for now.  But I’ll come back to visit, all right?  I promise.”

“All right,” Jane whispered, then shot him a sharp look.  “I’ll hold you to that.  And no returning in fifty years.  Visit soon.”

“When I can.  There are many things that need doing.”

“I’m sure there are.”  Jane sighed and, without a backward glance, dove down into the Forgotten Place.

The man watched her go and returned to the town.  He quite liked the town.  If ever he were to settle down, this would be a nice place.  Maybe some day, when he was too old to do anything but sit and write his memoirs . . . but no; he would never live that long.  Ossic had been taken care of, but there were always plenty more who would kill him as soon as he slipped up, if not before.  He couldn’t afford to settle down – or, at least, not for more than a week or two before his death.  Still.

He stayed near Mossag, though, and trained little Sally when he could, and occasionally visited Jane who became more and less like Ursula the longer she stayed.  And often as he visited, he couldn’t help notice one very important fact: the sharks were around more and more these days, so much so that it became very dangerous for him to swim down to the Forgotten Place.

And then he had an idea – and what an idea it was.  ‘Balance of power,’ Ursula had said.  She had more power than anyone there, but by a balance of numbers . . .

And that was how he found himself treading water next to the Forgotten Place, dangling a raw steak over the hole, baiting shark after shark to dive in until there were none left above (except one rather useful one who seemed oddly intelligent and had wisely fled to less dangerous parts).  Then he waited twenty four hours and returned to stick his head into the cavern.

“Hello, Ursula,” he said.

“You!” she shrieked at him, and as she did, the sharks surrounding her, carefully kept at bay, began thrashing and upsetting their invisible bonds.  “You distracted me!” she gasped in horror.  “You’ve given control to the sharks – aah!” one of them snapped at her.

“Please,” Jane, who was by this time nineteen, begged.  “Please, Ursula, they’ll kill us!  We need to leave!  You’re permission – we can get out and they all the sharks will be stuck down here!”

“I can’t leave; you know that!”

“Yes you can – please!”

“I can help,” he offered, “and give you twenty-four hours head start to free Jane.”

Ursula glared at him.  “Did you plan this?  The two of you?”

“No,” he answered frankly.  “Just me.  But I think it was a rather good idea.”

“I –” but there was no time for Ursula to think it over or spin it her way.  “Twenty-four hours!  Now move, girl!”

“Was that wise?” Jane asked afterwards, when they had swum to shore.  “Letting her go free like that?  Won’t she just cause trouble again—and try to get back at you?”

“Sure,” he agreed; “along with everyone else.  But she’s weak for now and . . . well, what’s one more enemy?  It’ll be all right.”

“Oh.”  Then, “And what of me?”

“What do you want?”

“I want to stay with you.  I could be useful – Ursula really did teach me all those years; I know lots.”

“I already have an apprentice.”

“Please!”

“Don’t you have a home?  And original home?”

Jane shook her head.  “I’m an orphan – or so I’ve been told.  Anyway, Ursula took me out of my time; I can’t go back.”

He looked carefully at her.

“I could help with Ursula,” Jane offered, desperately.

“No.  Not if she was like a mother to you.  But we’ll see.”

“Is that a ‘yes’?”

“We’ll see.  That is all.”

The important thing was, to never get too grounded.  A young apprentice, an older hang-along?  Those two would do well together, learning from each other.  And Ursula was loose again and so many others.  When evening came and his coat had dried enough, he took it up again and moved on, carefully lighting a fire too close to the carpet before he closed the door behind him.

 

Sunday, October 8, 2023

30 Days of Emrys

A little more than nine years ago, I wrote a blog post introducing Flora, my then-3½-year-old Cavalier King Charles Spaniel.  Flora was rescued from a dog mill and thus had a rough early life.  It took years for her to fully recover, but she has turned out to be loving and friendly.  She was born 12/8/2010 and is nearing her 13th birthday.

Flora in summer 2023 at 12-1/2 years old.
 

Now, when I adopted Flora, and for several years after, I worked exclusively from home.  But a few years back, I’d had enough.  I wanted to be out around people more, so I began working outside of the house. 

I didn’t like Flora being alone during the day, but it wasn’t until recently that I became willing to consider committing to another pet.  When I did, I decided on a cat.  Flora has lived with cats before, and there are certain benefits to a cat over a dog.  I thought I’d get an older cat, one who was chill with dogs.  She would be female and fluffy, with hair similar in color enough to Flora’s that my wardrobe (which is based around Flora’s red and white coloring) would hide the cat hair also.

Though I was considering such a cat, however, I didn’t immediately find one, and figured that day was long off, if it ever occurred.  Then . . . well, then my coworker showed up one day, furious.  A feral cat had abandoned its kitten in her garden again.

The kitten was female, short-haired, and black and brown.  I saw a picture of the tiny, two-week-old kitten, and exclaimed, “I want it!”

My coworker took me at my word and immediately offered me the kitten, as soon as it was old enough.  I began to think it over and become increasingly attached to the idea, when my coworker announced (several days later) that her neighbor had fallen in love with and adopted the kitten.  But, she said, they had found another kitten.  Two weeks old, short-haired, black, and male.  That could be my kitten.

This description, being exactly the opposite of my intention for a cat, took some time to settle in.  I hadn't met him or seen his face, only this picture:

Emrys at 2 weeks old

But the idea grew on me.  Soon I had named the kitten—Emrys (another name for Merlin)—and ordered cat trees and litter and a toilet training kit and so on, because I had become committed in my heart without quite intending to.

When Emrys was about five weeks old (we think he was born about 8/1/23), I drove to my coworker’s house and met him.  

He was litter box trained, almost off the bottle, energetic, confident, and friendly.  She said I could take him home right then, but it was a Monday night, and I had work the next day.  So I waited until the following Saturday morning, 9/9/23, and then took Flora with me to pick Emrys up.

Now, as I’ve said, Flora has lived with cats before.  But she’s also distantly related to hunting dogs.  So for her, any cat she doesn’t know is chase material and any cat she does know is eh, whatever.  She’s never been very interested in other pets; but the big advantage of adopting a kitten is that he would force her to love him.

It took careful handing and three hours to convince Flora that Emrys was definitely not prey.  Even the first day, though, they had begun to get to know each other:

 

Flora and Emrys, within 24 hours of first meeting


There are always challenges with any new member of the household.  At not quite six weeks old, Emrys couldn’t jump and could barely climb at all.  He weighed about a pound or a little over, and had a belly full of worms (which have since been taken care of).  However, he was good natured, able to learn, and growing at an extraordinary rate.  His eyes had not yet begun transitioning from baby gray-blue to their eventual golden

 

Emrys on 9/9/23, 5-1/2 weeks old, next to my empty phone case

Tiny kitty

Three weeks later, you can see how he's grown and changed, becoming sleeker and more mature:

9/30/23: As you can see, his eyes are slowly turning golden.

Now, at almost 10 weeks old, he can jump/scramble onto the sofa by himself.  
10/7/23 Glossy, healthy, and at least 3x the weight he was a month earlier.


He also gets along fairly well with Flora.  He is affectionate toward her and has begun to learn that she doesn’t appreciate being pounced on and nibbled.  She, in turn, has begun to accept that he is going to snuggle up with her. 

It’s going to be a wonderful friendship.

 

10/5/23.  He's been trying to snuggle with her since 9/14/23, but before now, she's mostly gotten up and gone away when he tried.  However, she's finally given up and accepted his snuggles.  That being said, at the moment I'm typing this, he's lying on my feet while she's a whole eighteen inches away.









Friday, September 1, 2023

Coping With Negative Reviews

Every author will get reviews they don’t like on their published work. It’s just a fact of life: not everyone who reads your book will love it, like it, or even understand it. Some reviewers may have criticisms of your book that make sense; some will use their review to take out their bad mood on you; some will say lovely things.

​It is, of course, always okay to skip reading any or all of your reviews. Your job is to get all the critique you need before your book is published. If the negativity of 1-, 2-, and 3-star reviews isn’t going to help you, you don’t need to read them. If you still want to be motivated by the positive reviews, ask a friend or family member to filter them for you and skip the pain. But for those of you who are going to go ahead and read all your reviews anyway . . .

I’d like to discuss how to read reviews and especially negative reviews.

 

IDENTIFYING THE TYPE OF REVIEW

The first step, when you read any review, is to identify what sort of review it is. (I say “any” review here, because even a positive review can make you feel bad if it’s positive for the wrong reasons—for example, because the reader put their own false interpretation on your book. The reader may have loved your book, but it can be very frustrating for you as a writer if you wrote a book all about the joys of fishing, and your 5-star review tells other potential readers that the book is really a deep allegory about grief!)

The basic types of remarks in reviews are:

1. The Personal Remark

2. Illegitimate Feedback

3. Legitimate Feedback

 

THE PERSONAL REMARK

This one is usually quite mean-spirited. A personal remark in a review is any remark that, instead of reviewing the book, talks about the writer—also known as an ad hominem attack. Any comment like, “it’s obvious no one bothered to edit this book” or “the author clearly didn’t do any research” or “I don’t know if this book is so bad because you thought the reader was stupid or because you were too arrogant and lazy, but . . .”

Whatever the case—using passive voice, third person, or second person—the reviewer is making a direct attack and sometimes an outright libelous assault on the author. You can always click the Abuse button on Amazon reviews, but Amazon won’t always get rid of the review.

So what to do? Reviews like this do have a negative effect in that they bring down your overall star rating. Not to mention that it feels horrible for a total stranger to make personal (and almost invariably untrue) statements about you in a public forum! But if it helps: this sort of review typically doesn’t actually have anything to do with you—it’s all about the nastiness in the reviewer’s own brain. Any sensible human you want reading your book will recognize that the reviewer is just being a jerk and disregard their review.

It can be hard, but your best bet is to roll your eyes, understand this sort of nastiness is a reflection on the reviewer rather than you, and hit the Abuse button. It’s not worth any more mental energy than that, so try to have a good rant (in PRIVATE! Not on social media!) and then return to reading nice reviews instead.

 

THE ILLEGITIMATE FEEDBACK

When you’re reading reviews, ask yourself:

-    Does this reader understand my genre and subgenre?

-    Is the content of this review relevant to my book?

If the answer to either of these questions is “no,” then you are probably looking at illegitimate feedback. I’ll give an example of both, using Harry Potter:

EXAMPLE 1: “This book is ridiculous. It uses all sorts of creatures that aren’t even real. Why would a castle have moving staircases? Why would the pictures act like they’re alive?

In this case, the reviewer is saying “this book is bad because this book is fantasy, and I don’t understand fantasy.” Frankly, they had no business reviewing the book in the first place. The feedback is not appropriate.

EXAMPLE 2: “Heavy emphasis is put in this book on the effects that abuse had on the main character. Harry’s entire personality is formed by his abusive relationship with the people who raised him.”

In this case, the reader is simply wrong. Harry’s family was abusive, but the impacts of abuse are (in his case) almost entirely ignored in the books. The reviewer appears either to have very poor reading comprehension or to be putting their own assumptions on the book. This sort of bizarrely false reading is sadly not uncommon among reviewers, for both positive and negative reviews, and especially for books that evoke strong reactions.

Now, if multiple of your reviewers misinterpret your book in a similar way, then you should take that as feedback that you aren’t communicating clearly and need to be more explicit in your explanations. Talk to your critiquers and editors about this for your next book. But if it’s just one person saying one weird thing about your book . . .

Ignore it. People have their assumptions. It’s frustrating that the review is misleading the reader, but there’s simply nothing you can do about it, and it’s not your fault. This again reflects them, not you. You’re safe to ignore them.

 

THE LEGITIMATE FEEDBACK

Positive and negative!

I said in Illegitimate Feedback that if multiple reviewers are saying the same wrong thing (or different wrong things about the same topic), then you should take that as feedback that you aren’t communicating well. Other than that, ask yourself the same questions as before. If the reviewer clearly understands your genre and your book, then you can consider their feedback to be actual feedback.

Now, as with any critique, just because one person says one thing doesn’t mean you have to change your writing. However, it is a good idea to consider all legitimate feedback and understand why it was given, so you can improve your writing. Ask yourself:

-  What do readers particularly like? Are there commonalities in the compliments I receive?

-   What do readers particularly dislike? Are there multiple legitimate reviewers saying negative things about the same aspect of my writing?

-    How are readers interpreting things in ways I may not have thought about, but which still demonstrate that they understand my story? For example, do they point out themes that I included without even realizing it?

 

NOW GO BACK AND REREAD THE POSITIVE REVIEWS SOME MORE

Let them motivate you and make up for some of the criticism! Getting negative reviews is rough, but there are also people who love your book. They’re your readers, the ones you write for, and your core audience. They matter the most, so go bask in their praise! You’ve earned it.

Write on!

 (First posted on the Thinklings Books blog here)

Sunday, August 6, 2023

Writing A Message: a Spoilery Review of How the Barbie Movie Shot Itself in the Foot

 I’d like to preface this review by saying that I AM the target audience for Barbie.  I’m a 35-year-old woman who played with Barbies as a child, and I have two nieces who are the right age for me to buy Barbies for.  I was eager to see Barbie, and I went with a friend who was also eager to see it.  I was even willing to wear pink, except I don’t have a movie-theater-appropriate pink outfit.  I like seeing fun dumb movies in the theater, and I like both of the lead actors.  I went intending to thoroughly enjoy myself, and indeed, I did thoroughly enjoy the first two acts and bits of the third.

But the movie also left me dissatisfied.  This was partly because the third act didn’t have enough material, which made its pacing a slog.  But mostly, my problem was with the message: I can’t stop thinking about how epically the movie screwed it up.  So I’m going to share my thoughts with all of you.


NOTE: I am not attempting to express what my politics may or may not be in this essay.  This is about the Barbie movie's message and how it failed to convey it.


THE STORY

Act One: Stereotypical Barbie has a perfect life where every day is the best day ever.  On the other hand, the Ken who was designed to be her boyfriend (Stereotypical Ken), is unhappy.  All he wants is Barbie’s attention, but she largely ignores him, and he becomes jealous when she pays attention to other Kens.  In Barbieland, Barbies hold all the jobs and all the power, and Kens are relegated to standing around hoping for Barbie attention.

Then one day, things start going wrong for Barbie: she starts having thoughts of death, her feet go flat, and she develops cellulite.  After consulting with Weird Barbie (the Barbie who’s been played with too much and so has chopped-off hair and Sharpie on her face), Barbie learns that the way to solve her problems is to find the girl who’s playing with her in the Real World.  Prodded by the Ken he’s most jealous of and desperate for the attention of the woman he loves, Stereotypical Ken sneaks in the back of Barbie’s car when she leaves for the Real World.  When Barbie realizes he’s come along, she expresses her disdain for him but lets him stay.

 

Act Two: Barbie and Ken enter the Real World.  There, Barbie discovers that some of the jobs she associates only with females are held by men, and some rude men wolf-whistle her.  On the other hand, Ken discovers that people actually have a tiny bit of respect for him in the Real World instead of completely automatically dismissing him because he’s male.  Eager to learn more, he goes to the library to research what this means.  Meanwhile, Barbie meets the girl she thinks is playing with her: a young teenager who immediately gives her a hateful, nasty little speech because she wants to make Barbie cry.  Mattel, the Barbie company, shows up soon after and takes Barbie in, intending to return her to Barbieland.  Finding Barbie gone, and excited by a world where men get some respect instead of being banned from all jobs and homes, Ken heads back to Barbieland alone to share what he’s learned. 

Feeling something is off in Mattel (where the boardroom is filled exclusively with men), Barbie escapes in an action sequence.  The boardroom’s secretary, a woman who happens to be the mother of the vile teenage girl we met earlier, pulls up in a car with her daughter and escapes with Barbie.  We learn this woman is the actual person who was playing with Barbie; she was using her to express her grief over her perceived victimhood due to her bratty daughter and womanhood.  Barbie, the secretary, and the horrible teen decide to go visit Barbieland together.

 

Act Three: the trio of women arrive in Barbieland, only to find it has been transformed into a kingdom of Kens.  For some reason, bringing the idea of male empowerment to Barbieland made all the Kens start dressing like dude-bro gangsters and brainwashed the Barbies into their adoring bimbo slaves. (??)  For the first time, Kens get to live in houses and do the things they like, instead of being repressed; and the Barbies have turned into Stepford wives.  Ken points out how unkind and unfair Barbie has been to him, and asks how she likes it to be treated as he’s been treated, but he clearly also still adores her and wants her approval.  Totally missing his point, Stereotypical Barbie collapses in despair, which prompts secretary and her vile teenage daughter to immediately abandon her and return to the Real World.  However, due to a chance encounter, they change their minds and return.

Back in Barbieland, secretary and vile teen meet up with Weird Barbie and a few discontinued Barbies, who have for some reason not been brainwashed.  Secretary goes off on a rant about how poor, downtrodden, and abused women are in the Real World, and how unfair life is, and for some reason this unbrainwashes the normal Barbie present.  (Which makes ZERO sense, because Barbies would have never experienced anything whatsoever that she talks about, since they have always been the oppressors and far worse than the Real-World men depicted in the movie.)  Secretary's rant is long and boring and then repeated during a heist sequence in which Barbies kidnap other Barbies and have them listen to this rant until they are all secretly unbrainwashed.

Now, Ken’s plan has been to hold an election and vote for Kens having power in Barbieland. Wanting to stop the Kens from gaining any power (and to keep Barbies having universal power), Barbies decide to stop any Kens from voting so that only Barbies get to vote.  The Barbies therefore run a romance scam in which they pretend to like their respective Kens, only to abandon them and make them jealous so that they fight West Side Story-style.  The Kens do, but then they reconcile and become friends, forgiving each other and showing some of the only real kindness in the entire movie.

In the meantime, the Barbies successfully vote that only Barbies can have power and Kens can have none, the Mattel boardroom men show up again for some reason (???), and the Kens are once again forced out of the Barbie dreamhomes and told they can do nothing but stand around decoratively.  The Barbies throw them a tiny bone saying maybe they can do something small once in a while.  Stereotypical Ken accepts his defeat graciously and expresses his love for Barbie.  She immediately rertorts that she doesn’t care about him at all or recognize that he has any worth and that he’d better go find himself and stay away from her.  She then decides she wants to be human for no reason, and leaves to live in the real world.

 

THE MESSAGE

Obviously, the intended message of the movie is, “Patriarchy is bad.  Women have it super rough and are victims of The System, which needs to change.”  That’s what characters say, over and over.  But actions speak louder than words, and do their actions convey?  Let’s look at our characters:

 

Barbie is vapid and silly.  She fails to recognize any value in Ken, who adores her, and purposefully ignores, manipulates, and spites him.  During the course of the movie, she experiences emotions like sadness over the fact that the world isn’t what she wants it to be, and that’s all the character growth she gets.  She begins as she ends: utterly self-absorbed and careless of others’ feelings.

Our two human characters—the secretary and the teenage daughter—are spiteful, vicious, self-righteous, rigid-minded jerks who are only happy when they get their way and only like people who agree with them on everything.

Ken is simple and dumb, but neither simplicity nor stupidity are vices; and he is also honest, consistent, caring, and forgiving.  He does his best even though he doesn’t understand exactly what he’s doing.  I would argue that he is the only empathetic and likeable character in the movie.

 

Now, ignoring what the movie says its message is, lets look at what it shows it message is.  Ahem: 

o   Kens are treated as second-class citizens.

o   A Ken discovers that life doesn’t have to be this way, and so leads a revolt using the only models he has available to him: how the Barbies act and what little he has managed to research about the Real World.

o   In response, the Barbies brutally emotionally manipulate the simple Kens in order to prevent them from voting.  Once victorious, Barbies trample Kens back down to their second-class citizen status, with a miniscule concession to make it go down easier; although by the way Barbie treats Ken, this is clearly lip-service only.

o   The Kens, having lost, bow their heads and say they’re okay with not being in charge and with returning to their second-class citizen status with zero power, freedom, right to own property, or respect.

o   This is presented as a happy ending.

Is the problem clear?  If not, replace “Kens” with “black people” and “Barbies” with “white people,” and see how easily that message goes down.

The makers of the movie are not saying, “patriarchy is bad”; they’re saying, “Instead of being the HAVE-LESSes, we want to be the HAVE-ALLs and to have the current HAVE-MOREs to be the HAVE-NOTHINGs.”  It is vile, selfish, spiteful, and vapid . . . exactly like the secretary and her daughter.  Not a great message.

 

FIXING THE MESSAGE

Let’s assume that the film-makers weren’t actually despicable and wanted their message to instead be, “women and men should be treated equally, and here are the problematic areas we need to improve.”  How could this have been done?

First, I think making the movie a musical would’ve been a good move.  It would’ve softened the secretary’s boring rant frustration into something more palatable: as is done by Ken’s song when he sings out his frustrations.  It would’ve also helped with the pacing, since the movie clearly didn’t have even enough material for its short run-time.

Second, Barbie needs to actually recognize Ken’s worth at the end in a way that’s more than lip-service.  Together, they need to acknowledge that one extreme is no happier than the other, and that they need to work together to develop a social climate that is healthy and beneficial for both Barbies and Kens.

Third, Stereotypical Barbie needs to stay in Barbieland to help develop an improved social climate instead of abandoning it for the Real World.  Aside from not working with any of her character development, personality, or world setup, the fact is that Barbie abandoning Barbieland shows that her actual objective is still selfish self-gratification: when things become unfavorable in any way, she immediately either despairs or abandons the situation for greener pastures.

 

IN CONCLUSION

I did enjoy 75% of the Barbie movie, and I’m not sorry I saw it.  I do think some of the people working on it recognized some of the problems with the message, since the voiceover tried to throw Kens a bone at the end and Ryan Gosling’s superb acting as Ken showed the character's true feelings regarding his unjust treatment, helping to undermine the toxic message of the filmmakers.  Overall, I think this movie a great pity: there is a lot about it that is really good, and the movie could have been a vastly enjoyable popcorn watch if not for the ugliness of its true message.

Message is what you show, not what you say!  So if you're writing a message, make sure it's what you intend . . . or at least acceptable to you.